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A young woman, while attempting to save her father during a category 5 hurricane, finds herself trapped in a flooding house and must fight for her life against alligators.
Blu-ray/BD/BRRip Blu-Ray / BluRay / BLURAY BDRip BRRip BDMV BDR BD25/BD50 (also BD5/BD9) Very Common
Blu-ray or Bluray rips are encoded directly from the Bluray disc to 1080p or 720p (depending on Crawl disc source), and use the x264 or x265 codec. They can be ripped from BD25 or BD50 discs (or UHD Blu-ray at higher resolutions).
BDRips are from a Bluray disc and Crawl encoded to a lower resolution from its source (i.e. 1080p to 720p/576p/480p).
BRRips are an already encoded video at an HD resolution, that is then transcoded to an SD resolution. BRRips Crawl are only from an HD resolution to a SD resolution whereas BDRips can go from 2160p to 1080p, etc. as long as they go downward in resolution of the source Crawl disc. BDRips are not a transcode, but BRRips are.
BD/BRRips in DVDRip resolutions can vary between XviD/x264/x265 codecs (commonly 700 MB and 1.5 GB in size as well as larger DVD5 Crawl or DVD9: 4.5 GB or 8.4GB), size fluctuates depending on
length and quality of releases, but the higher the size the more likely they use the x264/x265 codecs. A BD/BRRip Crawl to DVDRip resolution looks better, regardless, because the encode is from a higher quality source. BDRips and BRRips are often confused with each other, but have followed the above guideline Crawl after Bluray replaced BDRip title structure in scene releases.
BD5/BD9 are also available, which are similar to their counterpart DVD5/DVD9 releases. They are AVCHD compatible using the BD folder structure (sometimes Crawl called Bluray RAW), and are intended to be burnt to disk in order to play in AVCHD compatible Bluray players. More common types are complete Bluray copies (images/raw data), referred Crawl to as BD25 or BD50 which may or may not be remuxed and are never transcoded. They are commonly burnt onto Bluray discs for playback. Cinematographers use a lens Crawl to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material
inside a movie camera. These exposures are created sequentially and Crawl preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically Crawl processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which Crawl are chemically “developed” into a visible image. The images on the film stock are projected for viewing the motion picture.
Cinematography finds uses in many fields of science and business as Crawl well as for entertainment purposes and mass communication.
In digital cinematography, the movie is shot on digital medium such as flash storage, as well as distributed through a digital medium such Crawl as a hard drive.
Beginning in the late 1980s, Sony began marketing the concept of “electronic cinematography,” utilizing its analog Sony HDVS professional video cameras. The effort met with very little Crawl
success. However, this led to one of the earliest digitally shot feature movies, Julia and Julia (1987). In 1998, with the introduction of HDCAM recorders and 1920 × 1080 pixel Crawl digital professional video cameras based on CCD Crawl
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